The body measures the room until the architecture answers back.

Movement is treated here as spatial pressure rather than ornamentation. The creation of each score begins by stripping away conventional theatrical cues, focusing entirely on weight transfer, friction against industrial floors, and the acoustic response of the performance envelope.

Collaborations with live sound artists integrate microphonic floor contact and real-time resonance, ensuring that acoustic tension dictates the timing and velocity of every ensemble passage.

Fifteen years of international commissions across Berlin, Paris, Montreal, and New York.

Commissions and residencies anchored by rigorous spatial research and durational performance standards.

Four stages of spatial construction

Spatial Mapping

Improvisational Tension

Architectural Scoring

Performance Stabilization

Analyzing architectural constraints, sightlines, and acoustic reverberation before establishing movement parameters.

Extended physical research focusing on weight distribution, breath control, and ensemble synchronization without score.

Codifying spatial trajectories into precise kinetic pathways and time structures for stage or site-specific works.

Rigorous physical rehearsal ensuring absolute anatomical endurance and consistency across touring repertory.

Direct inquiries for institutional commissions, masterclasses, and touring repertory.